Nov 9 2010

Who Dares This Pair Of Boots Displace

This is the write up for the 126 show “Who Dares This Pair Of Boots displace”.

Who dares this pair of boots displace?

Steve Maher, Fiona Hession,Tadhg McCullagh, Anne O’Byrne, Aidan Kelleher and Brendan Hoare.

September 10th – October 2nd, 2010.

Opening reception:Thursday September 9th, 7-9pm.

126 Presents Who dares this pair of boots displace? a show by six recent graduates from Galway & Mayo Institute of Technology and Limerick School of Art and Design. The new works, responding to the theme displaced, include drawing, sculpture and video. Considering their recent transition this exhibition provides a platform for new processes, dialogue and interaction.

Steve Maher is a graduate of Limerick School of Art and Design and is a member of the artist partnership ”Like Studio” in Limerick city. His work is based around performance, sculpture and drawing. Maher considers that within the enculturation endured through the formative years of life, there exists a duality in how individuals are taught to interpret their immediate environment.

Fiona Hession, a GMIT graduate, is a Galway Based Visual Artist. Her work to date has focused on the various face of “Home” in modern society and what this term means on a personal level. Hession uses a variety of disciplines such as sculpture, print and textiles to inform her work. In this new work she has endeavoured to look beyond the traditional concept of her own home and try to understand the emotional trauma of being displaced on a much larger level.

Tadhg McCullagh studied painting at Limerick School of Art and Design. Who me? Yes you. Not me! Couldn’t be! Then who? presents moments where the instrumental attitudes that are dominant in our society can be, at least momentarily, set aside. The cogs are given a chance to turn alternatively allowing an opportunity for reflection on the system as a whole to take place. Tadhg’s practice is informed mainly by sociological studies and how these issues can be represented through art.

Anne O’Byrne studied at the Limerick College of Art and most recently at GMIT. O’Byrne’s work focuses on the engagement and observation of the mundane and the banal.  Things we see in front of us every day, things we work with and places we live in are all subjects of her analysis. Working with her deep interest in all things aeronautical with conceptual ideas of construction, O’Byrne toys with the physical entity of a ‘Displaced Threshold’. The body of work consists of 4 works on paper, 3 works on gessoed board, a video piece approx. 9 mins, and a constructional piece.

Aidan Kelleher received a B.A in Fine Art Printmaking from Limerick School of Art and Design and is a member of Limerick Printmakers. Aidan’s practice studies the use of devices with which a viewer can interact. For 126 Aidan created a machine designed to evoke an emotional response. “Fear”was conceived by first researching an accurate definition of what fear meant and researching different ways that people could be agitated by the presence of danger. To create the feeling of and the image of this fear, two electrodes were attached to the controllers which are set to randomly administer an electric shock. A sense of danger and tension is generated.

Brendan Hoare, completed a degree in Fine Art in GMIT, Galway. In the work created for this show, Hoare suggests we are programmed to perceive identity in ourselves. This identity is a mask which allows us to interact and function socially. We are in fact a collection of perceptions which succeed each other with great rapidity and are in perpetual movement. Memory, which is basis of identity, is constituted of a collection of these disjointed fragmentary episodes. The unified, continuous self is an illusion. The inner life is too subtle and transient to be known to itself.

126 was established in 2006 by local artists in their own living room as a response to the need for more non-commercial gallery spaces in Galway and is currently located on Queen Street in the city centre.


Nov 9 2010

The Black Mariah CCAD/LSAD Graduate Selection

This September I participated in the Black Mariah CCAD/LSAD Graduate Selection, the work was a selection of several recent graduates of both the Crawford College of Art and Design and the Limerick School of Art and Design. Featuring work from Kevin Callaghan, Colette Cronin, Trish Dolan, Sarah Feehily, Beth Fox, Aideen Greenlee, James Greenway, Molie Anna King, Cian O’donaghue, Maurice Reidy and my self.  The work was selected and curated by Ian McInerney. There should be a publication up soon about this, for further info contact  http://www.mariahtheblack.blogspot.com/


Aideen Greenlee showing of the vinyl.

I Look Down On You Because I Am Falling From A Great Height

Beth Fox and my work.


May 25 2010

Protest…..Something – The Spirit Store’s Cat DIG – As Part of EV+A 2010.

Shane protesting protesting.

Shane protesting protesting.

On the 7th of may 2010 I orchestrated a protest which protested protesting as part of The Spirit Store’s CAT DIG as part of EV+A  2010.

Protest is an aspect of society; its function is to communicate in opposition to accepted and dominant ideologies. But because protest is an aspect within society which bids to change perceived injustices that previously existed within said society, it simply becomes an aspect of the same system which allows such injustices to occur. As soon as an aspect of revolt can be identified as iconic more so than functional it can no longer embody its function. When the protesting placard is viewed as an accepted tool it can no longer facilitate the same social change because it is too identifiable and as a result too easy to dismiss. This arguably renders any message or slogan present functionless, redundant and by extension apathetic.  This new iconographic and sociological status of placard cannot empower in the manner that revolutionary practice requires it to but instead rob it of the power it originally had as a tool for revolt. There are examples throughout our culture of revolutionary figures which have been iconographised and have been culturally assimilated, as a result they’re identification as revolutionary figures is neutered of potential revolutionary content. A placard as an identifiable object cannot be used to facilitate social change because it is too much a part of a system which by its nature is problematic. By extension the act of protesting in the traditional placard based manner can no longer function as an effective act of revolt.

Sarah and Kasper Protesting

Sarah and Kasper Protesting

Paula Protesting

Paula Protesting

Luke and Beth Protesting

Luke and Beth Protesting


May 24 2010

The Make and Do Society

This is me apppropiating information from a show I was recently part of in tribute to the conceptual basis of said show.

“The Make and Do Societies group show is opening on Monday 17th May at 8pm and running till Wednesday 19th May in FABER Studios on Catherine Street, Limerick.
The collective are presenting a fresh approach to the standard group show by collaborating under the concept of copyleft. Copyleft subverts the term copyright by questioning notions of authorship, appropriation and freedom of information.
Further Events
Open Film Night on Tuesday 18th May at 8pm. Presenting a selection of shorts. All welcome to bring work on DVD/USB format, time limit 10mins negotiable.
Open Performance Night on Wednesday 19th May at 8pm. All welcome to perform. Including Limerick’s first and only experimental art choir ‘Oscar Mike + Der Kunsthummers’ with their debut concert.
Exhibition and additional nights are completely free to the public.
Search for ‘Make and Do Society presents COPYLEFT’ on Facebook.”
Here’s A link to an online version of the zine which i contributed to : http://makeanddosociety.blogspot.com/2010/05/copyleft-zine.html

May 21 2010

The Grey Cabinet Group Show Exhibition

 

Grey Cabinet Poster 

The Grey Cabinet Group Show Exhibition of works by Fine Art students at LSAD ran from January 10th – 29th 2010.
Peter Morgan selected the show by means of open submission. 

Exhibiting artists included:
Anastasia Artemera, Aoife Barrett, Lotte Bender, Paula Bourke-Girgis, Ray Boyle, Ana Carey, Gary Dempsey, Sarah Feehily, Lorna Flynn, Beth Fox, Aideen Greenlee, Cian Hackett, Amy Hanley, Shane Harrington, Sandra Hickey, Luke Howlin, Dave Kissane, Steve Maher, Joe Nolan, Mike O’Brien, Cian O’Donoghue, Maurice Reidy, Paul Ryan, Orlagh Spain, Ian Tully, Bella Walsh. 

Photographs by Matthew Gidney 

Empirical Thought

This is a china cabinet containing three sceneries each contained within cake tin.

 

Visit the grey cabinet site at: http://thegreycabinet.blogspot.com/

May 21 2010

My Old Deviancy

http://b1nman.deviantart.com/

Deviant Illustration

Deviant Illustration

I used to be on deviant art like every day but stopped using the site because it didn’t seem professional enough and like Behance it has become too design and social networking orientated. On the page are an absolute ton of my old illustrations, it even has a few of my early gig posters from all those years back. Take a look if it interests you and you want to see the work that made the work that I make today.


Apr 9 2010

Four Play at Faber Studios.

kanyic(or something), Chris Boland and Aidan Kelleher

kanyic(or something), Chris Boland and Aidan Kelleher

I was Recently asked to participate in Faber Studios latest show Four Play.

Faber Studios is an artist collective, studio and gallery based in Limerick City and consisting four members,

Chris Boland, Sarah Bolger, Clive Moloney and Stephen Neary.

“Our aim is to promote and facilitate Sculpture in Limerick City. We aim to create a working environment for emerging artists which will allow them to continue and develop their art practice. We want to provide adequate space and facilities for artists interested in object making and experimentation with 3D materials. We are interested in Artists with a high standard of critical thinking, motivation and dedication to their art practice.”

The show featured work by Karen Coill, Patrick Keaveney and Stillhouse(Dan Canham/Laura Dannequin/Will Hanke). The exhibition runs for a week until the 8th of April.


Mar 4 2010

Table of Contents- Workspace- Limerick School of Art and Design

I Look Down On You Because I am Falling From A Great Height.

This is part of a series of work I am currently occupying my self with. This particular piece was featured in Table of Contents under the Workspace project. Each artist was asked to contribute a depiction of a workspace in accordance to there interpretation. This results in submited work which is in progress and offers insight as to how these artists opperate. Acompanying this work was a shortArtist-Statement/Prose.

One lone figure leaves his car and climbs a mountain; this journey is the figures ascension. At the breach of this mountain there is a stairway which alludes to an even higher place. The function of the stairway is undeclared but arguably emphasises the impressiveness of a possible descent. Our hierarchal aspirations for power, our ascent which we laud and venerate are finite and destructive. In this way all ascents are descents, what we contemplate on this precipice is…………

I Look Down On You Because I Am Falling From A Great Height

I Look Down On You Because I Am Falling From A Great Height


Dec 5 2009

Open Drawing award. Modern Guilt #1.

Dead Astronaut

Dead Astronaut

I got confirmation yesterday about succeeding in securing a position the Limerick School Of Art and Design 2009 open drawing award. Hooray for Me!!!!

The work will be my comics previously featured on www.someblindalleys.com, I will sell 20 editions of my self published comics for 5 euro each. I will update this post with the new cover, Modern Guilt#1.


Nov 26 2009

Deep and Meaningless, Multiples, Monster Truck Gallery

Deep and Meaningless

Deep and Meaningless

The Multiples art project is now running in the window of the Monster Truck building. So just come down and take a look – it’s very exciting!!! Curated by Nina Tanis

Stephen’s work “Deep and Meaningless” is tightly controlled in its use of a miniature model tree in scale with a domestically used cup.  His concern with the apparently mundane aspects of our society comes out in this multiple.  The use of a humble tin cup containing a would-be giant in the nature – a tree- is seemingly metaphoric for his interest in the innate claustrophobia in our modern psychology.

For more information go to

http://monstertruck.ie/blog/?page_id=2448